Gallery: Performances and Events

Rehearsing 'Aquilo' with Jac Van Steen and the BBC National Orchestra of Wales
Sierra's Moler with the Boston Symphony Orchestra
At the world premiere of 'Butterflies Remember a Mountain' in Bremen, with the Benedetti- Elschenbroich-Grynyuk Trio
UK premiere of 'Insects in Amber' with the Carducci Quartet, Cheltenham
Arlene Sierra Composer Portrait Concert at Miller Theatre, New York, NY
Vencl Dance at the Martha Graham Center of Contemporary Dance, February 2016
Recording the 'Game of Attrition 'CD, with Conductor Jac Van Steen and Bridge Records director and producer David Starobin
At the world premiere of Nature Symphony, Bridgewater Hall, Manchester, November 2017
Poster from Arlene Sierra Composer Portrait Concert at the Yellow Barn Festival, VT
'Meditation on Violence' at the Gamper Festival of New Music, Bowdoin, Maine
Rehearsing 'Game of Attrition' with Magnus Lindberg and the New York Philharmonic
Interview - BBC Proms performance of 'Butterflies Remember a Mountain'
International Contemporary Ensemble recording for Bridge Records Arlene Sierra, Vol. 1
A Jeopardy question on Sierra's 'Nature Symphony', January 2022
Rehearsing Nature Symphony, with Thierry Fischer and the Utah Symphony
Acknowledging applause for Sierra's Faustine, New York City Opera VOX, May 2011
The Sitkovetsky Trio at the Louvre, before their performance of 'Butterflies Remember a Mountain'
Arlene Sierra at a performance of 'Moler' with the Boston Symphony Orchestra, Andris Nelsons cond.
French premiere of 'Butterflies Remember a Mountain' at the Louvre
Preview performance of 'Ritual in Transfigured Time', Milton Court Theatre, London
As part of Sierra's role as Composer in Association with the Utah Symphony, a rehearsal session with the Utah Youth Symphony
'Urban Birds' at London's South Bank Centre, Queen Elizabeth Hall
Arlene Sierra, Ken Hesketh, and Toby Purser with students at MusicFest Aberystwyth's Composition class
NY premiere of 'Avian Mirrors' at the Martha Graham Center of Contemporary Dance, February 2016
Nomination for 'Moler', Latin Grammy award for Best Contemporary Classical Composition
Sarah Cahill premieres works from Birds and Insects, Book 3 at Barbican Conservatory, March 2022
Arlene Sierra - Utah Symphony Composer in Association, Abravanel Hall, April 2022
At the US premiere of Nature Symphony, Abravanel Hall, April 2022
Vencl Dance at the Martha Graham Center of Contemporary Dance, February 2016
Preview performance of 'Ritual in Transfigured Time', Milton Court Theatre, London
New York Philharmonic inaugural 'Contact!' post-concert panel, with Magnus Lindberg
The BBC Proms performance of 'Butterflies Remember a Mountain', Cadogan Hall
from the German tour of Butterflies Remember A Mountain
Q&A for Arlene Sierra with Magnus Lindberg at the world premiere of Game of Attrition, December 2009
Bird Symphony billboard and Abravanel Hall, Salt Lake City
International Contemporary Ensemble at Arlene Sierra's Miller Theatre Composer Portrait, 2009
Chamber opera 'Cuatro Corridos' with Susan Narucki, Alec Karis, Pablo Gomez and Steven Schick
Composition guest lecture at Ewha Woman's University, Seoul
Anita Cheng Dance choreography to 'Truel' by Arlene Sierra
Rehearsing 'Art of War' with Tonu Kaljuste and the BBC National Orchestra of Wales
Sierra Composer Portrait Recording Session With ICE For Bridge Records, March 2009
Rehearsing Bird Symphony, with Thierry Fischer and the Utah Symphony
Acknowledging applause at the world premiere of Bird Symphony, April 2022
Arlene Sierra and Thierry Fischer after the world premiere of Sierra's Bird Symphony
Vencl Dance at the Martha Graham Center of Contemporary Dance, February 2016
Takemitsu Prize finals, Tokyo Opera City, with Oliver Knussen
Recording 'of Risk and Memory' with the piano duo Quattro Mani
After the world premiere of 'Moler' in Seattle, with Ludovic Morlot
Bird Symphony billboard, Salt Lake City
London Barbican's The Future is Female with Sarah Cahill's premiere of new Sierra works, March 2022
Worked premiere of 'Bird Symphony', Utah Symphony and Thierry Fischer, April 2022